Image 1 of 9
Image 2 of 9
Image 3 of 9
Image 4 of 9
Image 5 of 9
Image 6 of 9
Image 7 of 9
Image 8 of 9
Image 9 of 9
worldwide shipping
giclée print
master framers
by Siddiqa Juma
The Craft
"The gilded lines go straight to the centre. Your eye has no choice but to follow."
I built this painting on a highly textured acrylic surface, using deep blues and warm, earthy reds. I constructed the repeating arch motifs layer by layer, building physical depth into the canvas to enhance the visual perspective. I then added precise, gilded lines radiating outward from the distant central arch. These straight, structural lines contrast with the organic texture of the paint, pulling your gaze down the illuminated path toward the centre.
The Arches
The arch forms are built up in thick, heavy layers, pressed and worked with a palette knife until the surface has real depth. The gold lines follow the curve of each arch, one by one, tracing the same shape over and over as it recedes into the distance.
The Corridor
The perspective pulls you in from the first moment. I worked the grid of gold and white lines outward from the vanishing point, each one radiating toward the edges. The dark opening at the far end is the still point everything else moves toward.
The Surface
Up close the ground is anything but flat. Blues, blacks, and golds are layered beneath the lines, built up in thick, expressive strokes before the geometric structure was laid over them. The texture is what gives the gold lines somewhere to land.
The Story
"Every arch pulls you deeper. You stop counting and just walk."
When I visited the Prophet's Mosque, walking through those sacred arches, I was struck by a profound sense of peace. There is something hypnotic about the repeating architecture, the way the arches seem to go on forever, drawing you closer to the Prophet's resting place. I wanted to capture that feeling of infinite depth and spiritual focus.
Reviews
Arches of Revelation in your home
Arches of Revelation in your home
You might also like
-
![]()
Diversity
-
![]()
Qiblah
-
![]()
Verse of the Throne
-
![]()
Sabr
-
![]()
Pilgrims Path
-
Siddiqa Juma is a Muslim artist whose work sits at the intersection of faith, identity, and contemporary art. Every piece begins with intention and is made as an act of devotion.
-
The original painting this print is based on may be available. If you would like to own the original, or commission a new piece made specifically for your home, get in touch. Commissions are taken on a limited basis.
-
Each print is made to order, especially for you. Only the finest museum-standard materials and processes are used, producing incredibly sharp, vibrant giclée prints on heavyweight archival paper. With proper care, your print is guaranteed to last more than 100 years.
-
Frames are hand-finished by master framers using FSC-certified solid wood. Every frame is made to order. Not mass produced, not flat-packed. Your print arrives ready to hang.
-
We have partnered with a global network of print labs that automatically routes each order to the nearest manufacturing facility to you. Every print is fulfilled as close to your door as possible, reducing carbon footprint without compromising on quality. Packaging is plastic-free, using recycled and recyclable materials throughout.
-
Free delivery across the UK.
International shipping is available worldwide. Postage is calculated at checkout based on your location.
All prints are carefully packaged to arrive in perfect condition. Rolled prints are sent in protective tubes. Framed prints are boxed and padded.
If you have any questions about your order, get in touch.
-
Your print is made to last. A few things worth knowing:
Keep it out of direct sunlight where possible. Archival paper holds its colour well, but prolonged UV exposure will fade any print over time.
Avoid hanging in humid rooms such as bathrooms or kitchens. Moisture is the main enemy of fine art paper.
If your print arrives rolled, lay it flat under a few books for 24 hours before framing. It will settle naturally.
For cleaning, a soft dry cloth on the glass is all you need. Never spray directly onto the print.
The details