Image 1 of 9
Image 2 of 9
Image 3 of 9
Image 4 of 9
Image 5 of 9
Image 6 of 9
Image 7 of 9
Image 8 of 9
Image 9 of 9
worldwide shipping
giclée print
master framers
by Siddiqa Juma
The Craft
"I built the paths first, then gave them somewhere to go."
I started by building up the surface with thick mediums to physically sculpt the raised circuit lines, creating tactile pathways that travel across the canvas. I then painted the background in deep cosmic blues and blacks to create a sense of infinite space. The raised lines were highlighted with metallic tones, drawing the eye toward the Kaaba at the centre of the composition.
The Kaaba
Every line in this painting leads here. The Kaaba sits at the exact centre, small and dark, with all the circuit pathways converging on it. I wanted it to feel like the still point everything else is moving toward.
The Lines
I built the circuit lines up physically with thick medium before I painted anything. You can feel them if you run your hand across the surface. Once they were set, I painted over them and highlighted the raised edges with metallic tones so the light catches them.
The Space
The background is deep cosmic blues and blacks, put down in loose brushstrokes before the circuit lines went on top. I needed it to feel like infinite space, like the lines are travelling across something vast rather than just a flat canvas.
The Story
"The lines are the world. The centre is the Kaaba."
Looking at the intricate design of a computer circuit board, I saw a profound parallel to the Muslim Ummah. Just as a motherboard sends energy through its circuits to keep a system alive, the Kaaba radiates spiritual energy outward to the global community. The circuit board in this painting represents the world itself, interconnected and unified, drawing its strength from that single, sacred centre.
Reviews
Digital Devotion in your home
Digital Devotion in your home
You might also like
-
![]()
Diversity
-
![]()
Qiblah
-
![]()
Verse of the Throne
-
![]()
Sabr
-
![]()
Pilgrims Path
-
Siddiqa Juma is a Muslim artist whose work sits at the intersection of faith, identity, and contemporary art. Every piece begins with intention and is made as an act of devotion.
-
The original painting this print is based on may be available. If you would like to own the original, or commission a new piece made specifically for your home, get in touch. Commissions are taken on a limited basis.
-
Each print is made to order, especially for you. Only the finest museum-standard materials and processes are used, producing incredibly sharp, vibrant giclée prints on heavyweight archival paper. With proper care, your print is guaranteed to last more than 100 years.
-
Frames are hand-finished by master framers using FSC-certified solid wood. Every frame is made to order. Not mass produced, not flat-packed. Your print arrives ready to hang.
-
We have partnered with a global network of print labs that automatically routes each order to the nearest manufacturing facility to you. Every print is fulfilled as close to your door as possible, reducing carbon footprint without compromising on quality. Packaging is plastic-free, using recycled and recyclable materials throughout.
-
Free delivery across the UK.
International shipping is available worldwide. Postage is calculated at checkout based on your location.
All prints are carefully packaged to arrive in perfect condition. Rolled prints are sent in protective tubes. Framed prints are boxed and padded.
If you have any questions about your order, get in touch.
-
Your print is made to last. A few things worth knowing:
Keep it out of direct sunlight where possible. Archival paper holds its colour well, but prolonged UV exposure will fade any print over time.
Avoid hanging in humid rooms such as bathrooms or kitchens. Moisture is the main enemy of fine art paper.
If your print arrives rolled, lay it flat under a few books for 24 hours before framing. It will settle naturally.
For cleaning, a soft dry cloth on the glass is all you need. Never spray directly onto the print.